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    • Discover Jeanne Manzelli
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  • Discover Jeanne Manzelli
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JEANNE MANZELLI ART

JEANNE MANZELLI ARTJEANNE MANZELLI ARTJEANNE MANZELLI ART

GALLERY & artist statement

ARTIST STATEMENT

  

‘What is the risk in painting birds, vegetables, and flowers with watercolor? 

Risk is doing that thing that you're afraid to do. 

Rationalization, procrastination, self-blame, overcommitment and distraction are                  some of the guises of fear.                                                          Paralyzing panic lives at the fulcrum point

 between acclaim and ridicule. 

The challenge is to step over that mess and say it

out loud.

I like weeds. I like crows. I like garlic. I like bugs.

 I like watercolor. 

JM 


Jeanne Manzelli's Art is a contemporary approach to traditional themes.

  • The medium is primarily watercolor 
  • The bird drawings are done with charcoal pencil,  carbon pencil and glass pen
  • The large figural work is mixed-media.

 

PURCHASE LINK:    MANZELLI PUBLISHING

Images in the gallery are available, as"Giclee'Art"

through ManzelliPublishing.com 

......................

 ManzelliPublishing.com  is temporarily unavailable   For inquiries please email:                              jeannemanzelli@jeannemanzelli.com

jeannemanzelli@comcast.net


THE GALLERY

WATERCOLOR EXAMPLES


Materials Watercolor has a reputation for being difficult. It really is not. The color floats on th


Watercolor has a reputation for being difficult. It really is not. The color floats on the water; blends, moves carefully alone, but will resist autocracy. It is best to work as a collaborator.













This raven began as an example for students. I only planed to show the head, shoulder.  Taking the left over color, I blocked in the rest.   (I love this one)




&  GALLERY


















These chilis are from my garden, were dried and used in spicy foods.  I left the shadows as shapes for contrast.   It is important to stay with the painting, not an idea of the outcome.











 Queen Anne's Lace is also known as wild carrot.  I don't suggest painting it unless you have a lot of time.

This image is soft, but each flower is painted fully.  It takes forever but there is something about Queen Anne's Lace that's magic.

WATERCOLOR BOTANICAL ART

I remember skating. 
Desiccated spring flower, beautiful
memory

ordinary things

personal WATERCOLOR favorites


    CHICKENS *** Charcoal * carbon pencil * Conte' or wash

    birds *** CHARCOAL * CARBON PENCIL * CONTE' OR WASH

      Reds *** Because i love the color

      INSTALlATION art

                           INSTALLATION   
                      15 feet X 7 feet

      1894, the Hayden Station Social Club ** Windsor CT,

      Thirty-two children came to Hayden Station for a school photo dressed in their best school-photo outfits.  Their clothes tell a story; too big, too small, out of style.  They will see two world wars, economic collapse, mass  immigration from Europe, but this day they they are all together for a school photo-op.

      images of installation in process Jeanne Manzelli Art

        In process work on children's faces. They are worked on 2-3 sheets vellum tracing paper; one each for value, line, and color.

          Discover Jeanne Manzelli

          RESUME

           

          JEANNE MANZELLI                Email:         jeannemanzelli@comcast.net   

                                                                             jeannemanzelli@jeannemanzelli.com

          Key skills

          · Strong organizational and interpersonal skills 

          · Experienced classroom educator, post secondary

          · Resourceful problem solving skills 

          Education

          BFA sculpture / ceramics Massachusetts College of Art, Boston

          MED special area Art, University of Massachusetts, Amherst

          GIA Diamond appraisal certificate, NYC  

          I-TEACH training certified in on-line education 

          Haystack Mountain School of Craft. Sliver-smithing and jewelry design

          Experience

             Teaching

          Adjunct professor in fine art at CT State, Tunxis  (25 yrs)

             Interior design

          Vendor and resource to Interior Designers providing color consultation

          large scale residential murals, and smaller specialty jobs (15 yrs) 

              Manzelli Jewelry

          Design, Manufacture, Marketing a small business (10 yrs)

               JM Designs

          Design for former wholesale clients and private venders on 47 th street, (diamond district)

               Appraisers

          Appraisal of privately owned jewelry for insurance, probate, or sale (8 yrs)

             Art and Design

           Original art sold through agent into specialty markets (2 yrs)

          Additional recognitions:

          Third prize CRT show in the professional category 2019

          Best in show, Windsor Art Gallery members show 2019 Second prize 2020 

          Member of the American Association of Botanical Artists

          Submissions to DeBeers international Diamond competition (3 years)

          Designs accepted by Tiffany NY for their silver department

          Brokerage of six figure necklace to Van Cleef and Apel for private customer

          Board member supporting Hope City CDC, working with communities within

          Hopewell Baptist Church 

          Current interests

          Botanical art 

          Historic social commentary 



           

          CIRRICULUM VITA

           

              jeannemanzelli@comcast.net .       jeannemanzelli@jeannemanzelli.com


          College 

          BFA in sculpture. Massachusetts Collage of Art, Boston,

          Student body secretary, Mass Art, Boston. (senior year)

          Summer teaching for the Massachusetts Audubon Society  (5 summers)

          Making jewelry for small stores around Boston 

             (Started jewelry business at 15 years old)

          Haystack Mountain School of Craft, Deer Isle ME 

             (worked with legendary professionals)    Two scholarship sessions


          Post College free-lance artist    (two year)

          Continued building my jewelry business

          Traveled to England and Scotland 

             staying with ornithologist John Berry HL family (3 weeks)

          Interned at John Lewis Jewelry, Newberry St, Boston MA 

             (hand-made production jewelry)

          Managed Christmas and Easter picture events at mid-size department store.

          Opened a small seasonal jewelry store on Nantucket Island  (one summer)

          Organized, staffed and ran, a jewelry division resident camp, Denmark ME

          Taught after-school,program at the DeCordova museum in Lincoln MA

          I was still making jewelry selling the same way... very informally... but I began doing more ambitious projects; lost wax casting customed rings.


          Graduate School   Masters of Education  UMASS Amherst MA   focus, Art 

             MED   (The school of education was a very important school at the time. Their goal was the placement of PhDs, trained in humanist education, into the National School systems.Graduates have gone on to make significant changes in diversity, racial equity, hearing impaired and academically challenged, programs.)


          POST GRAD SCHOOL CAREER

               (Needing a flexible income stream, I made jewelry, doing trade shows)

          Eastern States Exposition (5 seasons)

          Midtown Manhattan trade show (4 years) currently held at Javitz Center

          Moved to San Francisco for one year

          Sold jewelry in Ghirardelli square

          Sold to Macy’s San Francisco

          Sold to I Magnin San Francisco

          Sold simple sterling jewelry to India Imports

               I could not compete with the Asian market, so I looked at designing.

               Returning from San Francisco, I designed for specialty boutiques in NYC.  

               I designsd prototypes for small-medium jewelry manufactures,

               precious stone importers; designing single pieces to sell the jewels. 

          NEW YORK 47th street diamond district 

                   "The safest street in Manhattan.” quote Hollis,of Hollis Reh & Sharif

          I was given the opportunity to show lovely jewels and jewelry to Cartier and Van Cleef   (for Hollis Reh and Sharif) 

             I designed a necklace for a 40ct Emerald surrounded with diamonds.

             I submitted diamond designs to DeBeers for three competitions. 

             A representative from DeBeers, interested in a design I submitted, offered 

             a dream job.   The job didn’t materialize. (A level achieved none-the-less.)

          I created sterling silver 3D floral napkin rings and met with buyers

          at Tiffany.  The work was well received.


          PAINTING and DRAWING


          INTERIOR DESIGN WORK. 1992-2008

          Abstract decorative oil paintings; still life of objects on columns sold through an agent

          School of Visual Arts summer study in Urbino Italy drawing medieval art.

          Sold paintings to interior designers for resale and staging

          Painted large murals for interior decorators in high end homes

          Painted vignettes to add detail to decor

          Restoration work, when needed, to present a seamless transformation

          Color consultation for clients and designers


          Started 'VISION 1’ a part-time summer opportunity for students to work on murals with me.

              We painted several murals for a large Latin dance club in New Haven.

              We painted figural murals in an elaborate pool house owned by 

               Starter Sports Clothes

              We painted sets for trade show stages, entertainment venues and 

               magnificent homes.

          October-Fest, (six stages, family area, major talent, on   300 acres of 

                   Boston Commons) managing the children's area with Boston     

                   Children"s  Museum             . 

          Boston Music Awards, backstage supporting the talent  3 years

            

          Transitioning Years (1993-2024)

          Ran a school wide mural program for Hartford Summer Youth Employment

          Painted an electrical box on Franklin Ave, Hartford of a box of crayons.

          Painted two large canvases (10’x6’ / 15’x6’) for Peppercorn’s restaurant    

             in Hartford

          Painted a 360* mural of Bushnell Park, Hartford, in 1910 in an historic home

          Started Manzelli Publishing to capitalize on sales of Giclee’ Art from the           Bushnell Park piece

          Gov. Jody Rell decorated her offices with Giclee’ Art from that series

          Forty 4’x4’ ceiling panels of Christian iconography for nave of Saint Mary’s church in Milford CT.

          $20,000 installation of tromp‘oil painted antique road equipment for UOE, New Haven CT


          TEACHING 25 years as adjunct faculty (’99-24) while dovetailing my work with interior design and building an inventory of fine and commercial art.


          MISC. ITEMS:

          Worked with recognized African American artist building a competitive presentation for

          San Francisco public art project at Hunter’s Point Shipyard.

          Working currently with New Britain Museum of American Art, through the education dept.

          Created a 12’ long 4’x 4’ pop-up book of the history of Pope’s Columbia Bicycle in Hartford

          Worked with Bushnell Park foundation raising funds selling my Giclee’ images of the park

          Created “Art Camp for Grown-ups” a concept driven, 4-day emersion experience, with lunch

          BLOG #1 un-attributed art

                                                                                        The dilemma of the unknown artist.

                                                                      I always wondered about un-attributed master works. 

                                                              In this blog I want to write about master works and master artists.  

                                                                     What is it about Art that makes it so hard to pin down?  








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